FABIO GAVAZZI

The Milanese furriery behind the house dates to 1924, and its sartorial fur craft sits in this gilet's dense, curled Tibetan lamb, left untrimmed for volume rather than shaved flat. Sleeveless and zip-fronted, it sits close at the shoulder and falls loose below, in black. The result reads as graphic rather than heavy, equally at home over knitwear or a slip dress.

Fureco, the family furriery behind this house, has worked in fur since 1924 from Milan, and builds this gilet from full Tibetan lamb, its long curled pile catching light along the shoulders and hem. Cut sleeveless with a zip front, it carries real weight without bulk, in military green. Worn over knitwear, it reads as texture first, an easy layer with presence.

The Milanese furriery behind this parka has worked in fur since 1924, and builds it to turn: one face a smooth technical shell, the other full mink. In morganite, the mink side shows a dense, glossy pile with real heft through the collar and zip front. It reads as two coats folded into one, worn whichever face suits the day.

Working in fur from Milan since 1924, the house behind this parka sets a technical shell against full mink on the reverse, so the coat turns rather than layers. In coffee, the mink face shows a dense, glossy pile with real heft at the collar and zip front. It stands as two coats folded into one.

This parka comes from a Milanese fur house tracing back to 1924, built to turn: one face a smooth technical shell, the other full mink. In brown, the mink side shows a dense, glossy pile with real heft through the collar and zip front. It functions as two coats folded into one, chosen by the weather rather than the outfit.

The house's sartorial furriery, active in Milan since 1924, pairs cashmere with plucked mink here, a combination central to its work. Built as a sleeveless, zip-fronted gilet rather than a coat, the cashmere shell carries the mink close and flat rather than piled high. In coffee, it wears as a compact, textural layer over a shirt or knit.