Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in black.

Giulia takes the house's jacket block and loosens it: a brushed cotton twill cut slightly oversized, with patch pockets at the hip and a clean button front. No collar theatrics, just a straightforward shape built to layer over a knit. In kombu, a dark, mossy green.

Pina is Labo.Art's workhorse corduroy jacket: a soft wide-wale cotton cut with a band collar and a five-button front. Two flap pockets sit low at the hip, roomy enough for a phone or gloves, and the body falls loose through the shoulder for layering over knitwear. In atlantic, a deep, teal-leaning navy.

Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in cacao.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In cacao.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In black.