New In

A silk shirtdress cut long, with a point collar, full button placket, and a self-tie sash at the waist. The windowpane check plays taupe and olive against a cream ground, softened at the edges rather than printed sharp. Falls to the ankle.

Kiton works a supple lambskin into a coat with real presence, its rust tone deep and matte rather than glossy. A shirt collar and clean front placket keep the shape structured, while a buckled belt cinches the waist and lets the skirt fall with a soft, coat-like drape. Substantial without being stiff, it carries real weight in the hand and moves easily over a look.

Kiton's tie-neck silk shirt, cut in the house's classic fit with a fine micro-check running brown into ochre. The tie loops through the collar and knots at the throat; a single button closes each cuff.

An oversized silk shirt-jacket in a fine brown-and-ochre check, cut with a notch lapel, three-button front, and turned-back three-quarter sleeves. Two flap pockets sit at the hip. Loose enough to wear open over a slip dress.

An architectural jacket crafted from double-faced wool, defined by a cinched waist and oversized sculptural sleeves. Finished with four button closures, side-seam welt pockets, and subtle front and back darts for a tailored, sculpted silhouette.

A delicate ballet cardigan crafted from a fine, lightweight knit. Designed with a petite fit and long sleeves, it features a single asymmetrical button closure that creates a V-neckline. A discreet internal cord closure ensures the cardigan stays in place, enhancing its refined, close-fitting silhouette.

Peplum jacket in suede goatskin

Single-pleated pants crafted from desert brown wool. Designed with a slightly tapered leg, they balance relaxed volume with a refined tailored shape. Classic tailoring details at the waist complete the timeless silhouette.

Designed to sit at the natural waist, our latest pull-on pant is distinguished by its perfectly balanced, wide leg and shiny crepe fabric, which allows the pair to shift between occasions with ease. Be sure to zoom in on the sides — we added a tonal matte stripe down each leg for a subtle sporty finish.

Johanna Ortiz cuts this top long enough to wear as a mini dress, tracing an ecru graphic border over rich brown. The gathered knot at the hip cinches the silhouette and lets the print fall loose below. Long sleeves keep it grounded for cooler evenings.

Johanna Ortiz grounds this maxi skirt in a rust-brown ground, tracing an ecru scrollwork border down the centre panel and hem. The A-line falls clean from the waist to a graphic, sharply drawn edge. A statement piece for warm-weather evenings.

Pierre Louis Mascia's Aloe shirt unfolds a dense tapestry print in brown and black, bordered in rust at the placket and cuffs. Cut long and collarless with a fine band neckline, it buttons through to a relaxed, easy fall. Fringed cuffs add a folkloric touch.

The KANADAS scarf in viscose silk exudes a tapestry of serene landscapes and delicate florals in rich earthy tones, creating a visual symphony of art and nature. This captivating piece drapes elegantly, perfect for pairing with a tailored coat to elevate your ensemble with a touch of timeless sophistication.

Pierre Louis Mascia dresses this jacket in a devoré velvet botanical print, gold and bronze deepening into teal at the pockets and cuffs. Cut with a notch lapel and a neat four-button front, it wears like a smoking jacket with a painterly finish. A statement layer for evening.

Cropped padded jacket crafted from supple dark brown leather, designed in a voluminous silhouette with softly rounded proportions. Featuring a classic collar and front zip fastening, it is finished with elasticated hem and cuffs that create a gathered, sculptural shape. The rich texture of the leather enhances its depth and character, making it a bold yet refined outerwear piece that brings a modern edge to everyday styling.

An oversized bomber jacket crafted from supple suede. Designed with a high stand collar and snap button closure, it features dropped shoulders and voluminous sleeves that taper into elasticated cuffs. The hemline is cinched with elastic, creating a subtle bubble effect that enhances the jacket's relaxed yet structured silhouette. Oversized patch pockets add a functional detail to this statement piece.

Retrofête draws the eye to a fully sequinned halter top, cut with a deep cowl neckline and a thin tie closure at the back of the neck. The sequins catch light across a soft, draped body that falls to an asymmetric point at the hem. A polished piece for evening, in a warm truffle tone.

Retrofête covers this mini skirt entirely in fine sequins, cut to a clean A-line that sits just above the knee. The fabric carries a soft, semi-sheer hand beneath the shine, finished with a plain waistband for an easy fit. A glinting counterpart to the label's Bethely top, in the same warm truffle tone.

The Jeanne Dress blends delicate embellishment with smooth satin for a striking yet refined look. The adjustable halter tie-neck closure makes the mini dress an easy-to-wear style for cocktail parties and birthday celebrations. Shown here in Truffle.

A ribbed wool turtleneck with three-quarter sleeves and a close, second-skin fit. Rich chestnut brown, finished with a small logo tab at the hem — simple enough to layer under a blazer or wear on its own.

A ribbed wool knit skirt with a fluid, A-line fall from an elasticated waist. Same rich brown as the house's turtleneck, with a small logo tab at the hip. Pulls on with no separate closure.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In cacao.

Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in cacao.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in cacao.