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Pierre-Louis Mascia's creativity has established a dialogue between past, present and future that draws from multi-faceted aesthetic universes, from the photography of Nan Goldin and Scott Schuman - an emblem of technology and modernity - to the folkore, the latter being an example of how the past - through the lens of fashion - can adapt to the present and the future. In this regard, the French designer's research has focused on the typical costumes of Eastern Europe, in particular Ukraine and Poland: a geographical area in deep transformation and always cradle of great visionaries. Cotton jacquard knitwear, waistcoats conceived as overcoats, silk shirts and trousers with different fits - right down to embroidered silk and cotton caftans, jacquard kimonos, denim and silk and cotton jacquard belts - narrate this constant research that sees, as always, in the prints on the different fabrics, from silk to cashmere, its distinctive feature.
Pierre Louis Mascia cuts an oversized silk shirt with a patch pocket, long-sleeved and relaxed through the body. The printed silk drapes light and easy. In black.
Pierre Louis Mascia cuts wide-leg pants from fluid printed silk, falling long and full from the waist. The patterned silk moves with an easy weight.
Pierre Louis Mascia cuts a belted dress from fluid printed silk, long-sleeved and drawn in at the waist. The patterned silk falls to a midi length, light and easy. In black.
Pierre Louis Mascia cuts wide-leg pants from a viscose and silk velvet, deep and soft to the touch. They fall full and fluid from the waist. In black.
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