Agnona's cashmere double face is a modern reading of classic zibelline coating: a double cloth with a smooth finish over a full, warm hand. Here it is cut as a single-breasted coat in ebony, a dark brown that holds more warmth than black. The front closes on horn buttons carrying the Agnona logo.

A high neck coat in B-Jersey double face. The cloth is a double weave in a cashmere and wool blend, a family reinterpreted by Agnona and developed in two weights, of which this is the heavier. The coat has a high neck with a zip closure and falls to 84 cm. In black the weave reads as one flat, matte surface.

Agnona presses and decatizes its matt cashmere double face until the surface turns compact and cloth-like. This coat takes it plain: a round neck, no lapel, and a clean front that closes without breaking the line. The double cloth needs no lining, so the shape comes off the shoulder and falls straight to the hem.

A high neck cardigan jacket in matt cashmere double face. Special finishes give the pure cashmere a compact, cloth-like matte surface, with brightness developed after pressing and decatizing. A stand collar tops the jacket, closed at the front with a single horn button carrying the Agnona logo and a gold trim. Patch pockets are finished with French bartacks at the opening, and the construction is double throughout.

A high neck coat in B-Jersey double face. The cloth is a double weave in a cashmere and wool blend, a family reinterpreted by Agnona and developed in two weights, of which this is the heavier. The coat has a high neck with a zip closure and falls to 84 cm. An Agnona metal logo is applied.

Agnona builds its knitwear around the fibre first, and this cardigan is pure cashmere in a gauge-5 knit. Tonal florals are embroidered along both sleeves, raised against the plain ground, while horn buttons run down a deep V front. Ribbed cuffs and hem steady a softly dropped shoulder, the whole in a pale grege.

A belted cape in pure cashmere double face. The double cloth keeps a soft, full and warm hand under a cloth-like finish. A shirt collar tops a single-breasted front with a covered English placket, built with a second crepe de chine layer for lightness. Vertical front and back seams open for the tubular nappa leather belt, closed with a ring and logo-engraved metal tips.

Agnona cuts its Milano pants from a fluid wool, a mono-stretch worsted in the spirit of grain de poudre with a little elastomer for drape. The surface is faintly textured and semi-matte. A flat front runs into a straight leg, with side pockets set into the seams. Black here is flat and even, with no shine at all.

Agnona cuts its Milano pants from a fluid wool, a mono-stretch worsted in the spirit of grain de poudre with a little elastomer for drape. The surface is faintly textured and semi-matte. A flat front runs into a straight leg, with side pockets set into the seams. The burgundy is deep and muted, closer to wine than to red.

Agnona cuts its Milano pants from a fluid wool, a mono-stretch worsted in the spirit of grain de poudre with a little elastomer for drape. The surface is faintly textured and semi-matte. A flat front runs into a straight leg, with side pockets set into the seams. In ebony, a warm dark brown that reads almost black.

A midi skirt cut on the bias in a silk twill with a floral print. The print combines texture and subtle reflections across the silk ground. The bias cut opens wide at the flared hem and keeps the drape fluid. A side invisible zip with a logo-engraved metal puller closes the skirt, lined in crepe de chine to the knee under a bound waistband.

Asymmetric boat neck top in pure cashmere, cut oversized with fitted ribbed sleeves. Pure cashmere provides exceptional softness and natural warmth while regulating temperature against the skin. A gauge 8 plain knit gives the body enough weight to hold its volume, while the ribbed sleeves stay close to the arm. An asymmetric boat neck and an oversized body create a sculpted proportion, finished with the Agnona metal logo at the centre back.

High waisted midi skirt in pure cashmere featuring an A-line flare and a ribbed elasticated waistband. Pure cashmere provides exceptional softness and natural warmth while regulating temperature against the skin. A gauge 8 plain knit gives the skirt enough body to hold the flare while staying fluid in movement. A knitted band finishes the hem, while the ribbed waistband sits high and holds without constriction.

Boat neck sweater in pure cashmere, embroidered across the front with pure wool florals. Pure cashmere provides exceptional softness and natural warmth. A gauge 5 plain knit gives a dense, even ground for the embroidery, which runs across the entire front. A boat neck silhouette with long sleeves creates a clean, open proportion.

Agnona lets the cloth carry the decoration. This straight midi skirt is cut from a wool organza in near-black ebony, its surface scattered with tonal cloqué blooms and threaded all over with fine bronze beading. The waistband sits high and plain, so the light comes off the surface alone.

Agnona spins its cocoon bouclé from cashmere, silk and wool, and the yarn arrives flecked dark brown against cream. The sweater is cropped to sit at the high waist, with a wide boat neck and long sleeves gathered into ribbed cuffs. Dense and light at once, it reads as texture before colour.

Agnona knits this skirt from a cocoon cashmere and silk bouclé, cut in an A-line flare with an elasticated waistband. The yarn is flecked dark brown through cream, dense enough to hold the panelled flare without weight. It falls to mid-calf, the hem left plain so the texture carries the line.

Agnona treats print as texture rather than pattern. An animal marking is worked here in smoke brown and black over a blush ground, then pressed into fine sunburst pleats that break the image as the skirt moves. A plain dark waistband holds it flat at the top and lets the hem do the work.