Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in black.

Giulia takes the house's jacket block and loosens it: a brushed cotton twill cut slightly oversized, with patch pockets at the hip and a clean button front. No collar theatrics, just a straightforward shape built to layer over a knit. In kombu, a dark, mossy green.

Labo.Art keeps this tee to its essentials: a crew neckline, short sleeves and a straight, unfussy cut in soft cotton jersey. The fabric has a slight worn-in softness rather than a crisp finish, so it sits easy against the skin. A quiet basic that layers well under something structured, in winter white.

Pina is Labo.Art's workhorse corduroy jacket: a soft wide-wale cotton cut with a band collar and a five-button front. Two flap pockets sit low at the hip, roomy enough for a phone or gloves, and the body falls loose through the shoulder for layering over knitwear. In atlantic, a deep, teal-leaning navy.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in cacao.

LABO.ART cuts its corduroy in a rounder, more relaxed line — full through the hip, tapering gently to the ankle, with an elasticated waist for ease. The wide-wale cotton corduroy has real body, a texture that reads more workwear than polish. Cacao is the season's warmest neutral, easy to build a whole look around.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in winter white.

Sbam is Labo.Art's easy corduroy trouser: an elasticated back waistband, a clean button fly, and a wide leg that skims rather than clings, cropped just above the ankle. Straightforward and made to move in. In winter white.

Carta keeps to a clean, elastic-waist midi length, cut from a brushed cotton twill with a soft, brushed hand. Three buttons sit along one side seam, the only real detailing on an otherwise plain silhouette. Easy to pull on and left to fall straight from the waist, in winter white.

Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in cacao.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in black.

Diana is a flared take on Labo.Art's cotton needlecord trousers: pulled on rather than fastened, with a wide elasticated waistband and a leg that kicks out from the knee. Cropped to sit just above the ankle. In kombu, a dark, mossy green.

Labo.Art keeps this tee to its essentials: a crew neckline, short sleeves and a straight, unfussy cut in soft cotton jersey. The fabric has a slight worn-in softness rather than a crisp finish, so it sits easy against the skin. A quiet basic that layers well under something structured, in kombu.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in kombu.

LABO.ART builds from a handful of considered basics, and this crew-neck tee is one of them — heavyweight cotton jersey with a raw, unfinished hem. The fit sits easy through the body, boxy rather than fitted, with a woven tab at the back neck the only mark of the maker. A quiet layer that wears equally well alone or under tailoring.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In cacao.