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These classic-cut, regular-leg trousers combine traditional style with small details for great comfort. The side seam sits shifted forward, finished with inserted piping that elongates the silhouette. The front stays clean and formal, with a classic button closure and side pockets, while an elasticated waistband at the back keeps the fit comfortable through the hip.

These classic-cut, regular-leg trousers combine traditional style with small details for great comfort. Their key feature is the side seam shifted forward and finished with inserted piping, a detail that elongates the silhouette and adds a touch of originality. The front looks very clean and formal, featuring a classic button closure and convenient side pockets. To ensure a comfortable fit that adapts to every silhouette, the trousers feature an elasticated waistband only at the back.

Etere carries the house's pajama-pant construction into a dense floral repeat, small blush and ivory blooms scattered close across a deep bordeaux ground. An elasticated waistband eases the fit through the hip, with fine piping tracing the side seams and back pockets. The wide leg falls in a clean, fluid line, cut in a heavy silk twill that holds its shape without stiffness.

Sinuous lines and dazzling embellishments define these Horizon Crystal Sandals, meticulously crafted from dark bronze metallic leather and tonal suede. Aquazzura's iconic 105 mm stiletto heels elevate the silhouette, helping to elongate your leg for an infinitely flattering look.

Aquazzura's Tequila pouch takes its cue from the label's love of showstopping hardware — a softly draped body in leather, finished with a polished ball clasp and a chain strap that tucks away when not needed. Silver reads cool and metallic, closer to jewellery than accessory. Carried by the strap or held as a clutch, it moves easily from day into evening.

Thom Browne cuts this cropped, wide-leg trouser from navy wool suiting, its precision softened by an easy line through the leg. Gold shank buttons mark the high waist and welt pockets, and a deep turned-up cuff grounds the hem, finished with the label's signature red, white and blue tab at the back. A structured piece that moves easily under a blazer or worn alone with flats.

This fine-gauge merino wool shell reads as a studied exercise in Thom Browne precision, light through transitions and easy to layer. Ribbing lends subtle dimension, while RWB tipping adds a signature finish. Worn under tailoring, the style introduces a refined softness that balances structure with ease.

This fine-gauge merino wool shell reads as a studied exercise in Thom Browne precision, light through transitions and easy to layer. Ribbing lends subtle dimension, while RWB tipping adds a signature finish. Worn under tailoring, the style introduces a refined softness that balances structure with ease.

The same Karo check turns fluid here, cut from silk with a drawstring and elasticated waist for a relaxed, high-waisted fit. The wide leg falls loosely from the hip, letting the small brown check read as texture rather than pattern. Soft and unstructured, it wears as easily as loungewear but holds Kiton's tailoring polish.

Kiton works a supple lambskin into a coat with real presence, its rust tone deep and matte rather than glossy. A shirt collar and clean front placket keep the shape structured, while a buckled belt cinches the waist and lets the skirt fall with a soft, coat-like drape. Substantial without being stiff, it carries real weight in the hand and moves easily over a look.

A relaxed, oversized silk shirt in a pale windowpane check, dropped through the shoulder with a longer, straight hem. No tie or extra hardware — just a clean point collar and a hidden button placket.

An oversized silk shirt-jacket in a fine brown-and-ochre check, cut with a notch lapel, three-button front, and turned-back three-quarter sleeves. Two flap pockets sit at the hip. Loose enough to wear open over a slip dress.

A ribbed wool turtleneck with three-quarter sleeves and a close, second-skin fit. Rich chestnut brown, finished with a small logo tab at the hem — simple enough to layer under a blazer or wear on its own.

A ribbed wool knit skirt with a fluid, A-line fall from an elasticated waist. Same rich brown as the house's turtleneck, with a small logo tab at the hip. Pulls on with no separate closure.

Carta keeps to a clean, elastic-waist midi length, cut from a brushed cotton twill with a soft, brushed hand. Three buttons sit along one side seam, the only real detailing on an otherwise plain silhouette. Easy to pull on and left to fall straight from the waist, in winter white.

Giulia takes the house's jacket block and loosens it: a brushed cotton twill cut slightly oversized, with patch pockets at the hip and a clean button front. No collar theatrics, just a straightforward shape built to layer over a knit. In kombu, a dark, mossy green.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In black.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In cacao.

Pina is Labo.Art's workhorse corduroy jacket: a soft wide-wale cotton cut with a band collar and a five-button front. Two flap pockets sit low at the hip, roomy enough for a phone or gloves, and the body falls loose through the shoulder for layering over knitwear. In atlantic, a deep, teal-leaning navy.

Xania renders the tailored pencil skirt in a fine grey melange, finished with belt loops and a clean waistband for a precise line. Cut straight through the hip to fall just below the knee, it reads sharp and spare. A quietly useful piece for the desk and beyond.

The Tatiana sleeveless jumpsuit in black is made from a shiny lycra fabric. Featuring a high halterneck and open back, this women's jumpsuit gathers into a knot detail at the waist. The skin-tight leggings extend down to just above the ankles for a lengthening effect.

The Zelda jumpsuit is made from black shiny lycra. Easy to slip on and off thanks to its stretchy composition, it features a plunging V-neck and open back that extends down into long sleeves for a dramatic contrast. Finished with full-length leggings decorated with subtle draping, it elongates the silhouette.

Astra cuts a halter-neck jumpsuit with a wrapped, V-front bodice and a tie at the waist, opening into wide-leg trousers below. The back stays bare, a clean counterpoint to the fluid drape through the body.

Ombra takes its name from the soft gradient Dianora Salviati paints along the hem, the colour deepening like a shadow before it meets the fringe. Above it, a bold silhouette bloom is cut across a wool-cashmere ground in broad, confident strokes, more graphic than floral. Oversized and long, it wraps easily over the shoulders, in bordeaux and military green.