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Pina is Labo.Art's workhorse corduroy jacket: a soft wide-wale cotton cut with a band collar and a five-button front. Two flap pockets sit low at the hip, roomy enough for a phone or gloves, and the body falls loose through the shoulder for layering over knitwear. In atlantic, a deep, teal-leaning navy.

Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in black.

Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in cacao.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in black.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in cacao.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in kombu.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in winter white.

LABO.ART builds from a handful of considered basics, and this crew-neck tee is one of them — heavyweight cotton jersey with a raw, unfinished hem. The fit sits easy through the body, boxy rather than fitted, with a woven tab at the back neck the only mark of the maker. A quiet layer that wears equally well alone or under tailoring.

Labo.Art keeps this tee to its essentials: a crew neckline, short sleeves and a straight, unfussy cut in soft cotton jersey. The fabric has a slight worn-in softness rather than a crisp finish, so it sits easy against the skin. A quiet basic that layers well under something structured, in cacao.

Labo.Art keeps this tee to its essentials: a crew neckline, short sleeves and a straight, unfussy cut in soft cotton jersey. The fabric has a slight worn-in softness rather than a crisp finish, so it sits easy against the skin. A quiet basic that layers well under something structured, in kombu.

Labo.Art keeps this tee to its essentials: a crew neckline, short sleeves and a straight, unfussy cut in soft cotton jersey. The fabric has a slight worn-in softness rather than a crisp finish, so it sits easy against the skin. A quiet basic that layers well under something structured, in winter white.

Diana is a flared take on Labo.Art's cotton needlecord trousers: pulled on rather than fastened, with a wide elasticated waistband and a leg that kicks out from the knee. Cropped to sit just above the ankle. In kombu, a dark, mossy green.

LABO.ART cuts its corduroy in a rounder, more relaxed line — full through the hip, tapering gently to the ankle, with an elasticated waist for ease. The wide-wale cotton corduroy has real body, a texture that reads more workwear than polish. Cacao is the season's warmest neutral, easy to build a whole look around.

Sbam is Labo.Art's easy corduroy trouser: an elasticated back waistband, a clean button fly, and a wide leg that skims rather than clings, cropped just above the ankle. Straightforward and made to move in. In winter white.

The same Carrot shape as the rest of Dusan's flannel line, cut with a high, drawstring waist and a tapered, cropped leg. Black is the most versatile of the four washes, quietly at home under a knit or a blazer. The flannel has enough weight to hold the tapered line without clinging.

The same Carrot shape as the rest of Dusan's flannel line, cut with a high, drawstring waist and a tapered, cropped leg. Moss is a deep, muted green, closer to the colour of lichen than a bright leaf tone — a quieter way to wear a strong shade. The flannel has enough weight to hold the tapered line without clinging.

Dusan cuts its Easy Suit T-shirt with a dropped shoulder and a cropped, boxy body in a brushed wool flannel twill, its soft, matte hand offering a quieter texture than the spigato weave. Wide sleeves taper gently to the cuff, keeping the silhouette relaxed without losing its shape, finished in black.

Dusan cuts its Easy Suit T-shirt with a dropped shoulder and a cropped, boxy body in a brushed wool flannel twill, its soft, matte hand offering a quieter texture than the spigato weave. Wide sleeves taper gently to the cuff, keeping the silhouette relaxed without losing its shape, finished in brown.

Dusan cuts its Easy Suit T-shirt with a dropped shoulder and a cropped, boxy body in a brushed wool flannel twill, its soft, matte hand offering a quieter texture than the spigato weave. Wide sleeves taper gently to the cuff, keeping the silhouette relaxed without losing its shape, finished in moss.

Dusan cuts its Easy Suit T-shirt with a dropped shoulder and a cropped, boxy body in a brushed wool flannel twill, its soft, matte hand offering a quieter texture than the spigato weave. Wide sleeves taper gently to the cuff, keeping the silhouette relaxed without losing its shape, finished in oatmeal.

Dusan works a fine herringbone-weave wool and cashmere into a clean, wide-leg trouser — tailored through the waist, then falling straight to the ankle with real drape. The cashmere softens the wool's hand, so the fabric moves rather than holds a stiff line. Charcoal is the more versatile of the two washes, easy to dress up or down.

Dusan works a fine herringbone-weave wool and cashmere into a clean, wide-leg trouser — tailored through the waist, then falling straight to the ankle with real drape. The cashmere softens the wool's hand, so the fabric moves rather than holds a stiff line. Dark taupe reads almost like a soft charcoal, easy to wear against black or cream.

Dusan cuts its Loose Blaser from a fine wool and cashmere spigato, the herringbone weave giving the surface a subtle diagonal texture. A stand collar and single flap pocket keep the construction clean, while the straight, loose body falls open at the front, finished in charcoal.

Dusan cuts its Easy Suit T-shirt with a dropped shoulder and a cropped, boxy body in a fine wool and cashmere spigato, the herringbone weave giving the surface a subtle diagonal texture. Wide sleeves taper gently to the cuff, keeping the silhouette relaxed without losing its shape, finished in charcoal.