New In

Victoria Beckham takes a men's shirting stripe and turns it at the chest: the patch pocket is cut on the bias so its lines meet the body's in a chevron, and the cuffs repeat the trick. Crisp cotton, a long point collar, a body cut wide through the shoulder. Marsh green against white keeps it earthbound rather than nautical.

Expertly crafted from Italian floral jacquard, the Stila is a sleek slim-fitting pant with a cropped silhouette. Designed with a high-rise Hollywood waistband, it features a concealed hook-and-bar closure and back welt pockets for a clean, streamlined finish. For an evening take on suiting, style this black trouser with the matching Bodie jacket.

Crafted from soft lamb suede, the Kaylee overshirt features a relaxed silhouette. Its longer length and front pockets make it an effortless layering piece for everyday wear.

Crafted from soft lamb suede, the Kaylee overshirt features a relaxed silhouette. Its longer length and front pockets make it an effortless layering piece for everyday wear.

Alaïa's sculpting pointed dress is shaped entirely in the knit. A sheer high neck and yoke sit above a close ribbed bodice; at the waist the ribs open out into a voluminous pleated skirt whose hem drops to points at either side. Black keeps every eye on the shape.

Kiton cuts this cape from dense dark grey cashmere and lets it fall in deep folds from the shoulder to a pointed hem. Panels of mink run the length of the front and frame the hood, and a narrow tonal binding finishes every edge. It wears like a coat thrown over the shoulders, with the fur close to the face.

Oscar de la Renta prints a crushed-velvet pattern onto cotton poplin, in layered greens that read like crinkled foliage. The sleeveless bodice has a square neckline and ties at the back, and the skirt flares out through the midi length. The surface looks textured while the cloth itself stays smooth.

A refined jacket with a tailored silhouette. The Emy jacket is crafted from supple goat suede and defined by clean lines.

Inspired by our classic Emy jacket, the Carmen leather jacket reimagines the timeless silhouette in an elegant, longer length. Crafted from supple 100% lamb leather and finished with a pointed collar, horn buttons and refined front pockets.

Magda Butrym builds this wrap jacket around a deep shawl collar of glossy faux fur that runs the length of the front. The body is cotton, cut with full balloon sleeves gathered at the cuff, and a wide self-belt ties it closed at the waist. The fur is a shade darker than the matt cotton, so the collar reads first.

This double-faced wool jacket features pankou knot closures at the cuff and neckline, a traditional fastening technique rooted in Chinese garment construction. It's finished with satin binding throughout the edges of the jacket.

This double-faced wool jacket features pankou knot closures at the cuff and neckline, a traditional fastening technique rooted in Chinese garment construction. It's finished with satin binding throughout the edges of the jacket.

Knitted for structure rather than softness, the Aleya is dense enough in Lisa Yang's double-face cashmere to wear as a jacket. A neat collar sits above a two-way zip, with welt pockets and ribbed trims holding the hip-length shape. Deep plum reads as a wine red until the light catches it.

Celine is a cropped aviator bomber with an oversized fit and a high neck, closed by a gold zip at the front. The check is grey with rust-red lines. The collar and cuffs are lined in suede, and the sleeve can be worn cuffed to show it. The hem is elasticated, with side pockets.

Furling puts its print on the hide itself, not on cloth. The Mara coat is long and double-breasted, cut from short-pile leather printed leopard in black over a warm brown ground, with notch lapels, flap pockets and a self-tie belt at the waist. A trench line, in a material that is anything but sober.

Blumarine cuts Chantilly lace into the knit itself: intarsia panels open either side of the placket, edged with a gathered lace ruffle. The V-neckline falls deep, the shoulders drop, and ribbed trims hold the fine wool in shape. Four buttons fasten it, though the lace makes a better case for leaving them undone.