Accessories

The Micro Dorian belt in black is cut from grained calf leather and finished with gold hardware. Narrow and streamlined, it marks the waist of a dress or a coat without competing with it.

The Micro Dorian belt in dark burgundy is cut from smooth calf leather and finished with gold hardware. In this colour it reads as colour rather than hardware, a quieter way to mark the waist.

The Dorian is defined by its signature B hardware, a visual anchor that instantly identifies the design, while lending a refined, modern finish to every silhouette.

Iconic to the house of Victoria Beckham, the Dorian Frame Belt is a versatile addition to your capsule wardrobe, styling effortlessly with denim or tailoring.

The Dorian is defined by its signature B hardware, a visual anchor that instantly identifies the design, while lending a refined, modern finish to every silhouette.

Iconic to the house of Victoria Beckham, the Dorian Frame Belt is a versatile addition to your capsule wardrobe, styling effortlessly with denim or tailoring.

Christian Louboutin's Bettina card holder is a flat pouch in smooth empire-red calf leather, with stitched edges and rounded lower corners. The zip runs along the top, and a slender emblem in silver-toned metal sits at the centre of the front. It holds cards and little else. The red leather and the silver emblem are its only decoration.

Alaïa's rectangular mask sunglasses take a sleek, wraparound shape in black acetate, with the house's signature worked into the temples. Made in Italy, the cut favours a clean, graphic rectangle over the softer curves seen elsewhere in the line.

Alaïa's rectangular mask sunglasses take a sleek, wraparound shape in tortoiseshell havana acetate, with the house's signature worked into the temples. Made in Italy, the cut favours a clean, graphic rectangle over the softer curves seen elsewhere in the line.

Alaïa's rectangular mask sunglasses take a sleek, wraparound shape in red acetate, with the house's signature worked into the temples. Made in Italy, the cut favours a clean, graphic rectangle over the softer curves seen elsewhere in the line.

Antipast keeps its socks playful without overreaching. This ribbed wool-blend pair sets a slim contrast stripe at the ankle against two soft pom-poms in a lighter tone, a small flourish on an otherwise plain sock. Against black, the paler pom-poms do all the talking.

Antipast keeps its socks playful without overreaching. This ribbed wool-blend pair sets a slim contrast stripe at the ankle against two soft pom-poms in a lighter tone, a small flourish on an otherwise plain sock. In low white the stripe does the work and the pom-poms sit almost tone on tone.

Antipast keeps its socks playful without overreaching. This ribbed wool-blend pair sets a slim contrast stripe at the ankle against two soft pom-poms in a lighter tone, a small flourish on an otherwise plain sock. Orange is the brightest of the four, made to show below a cropped trouser.

A trusted winter warmer, the Stockholm beanie is crafted in chunky, heavy knit cashmere for sumptuous warmth. The relaxed fit is contrasted by a ribbed, wide brim which is folded at the hem.

Antipast keeps its socks playful without overreaching. This ribbed wool-blend pair sets a slim contrast stripe at the ankle against two soft pom-poms in a lighter tone, a small flourish on an otherwise plain sock. Navy is the quietest of the four; the pom-poms read as a pale mark at the ankle.

Antipast works from a Japanese textile studio's eye for pattern, not a runway one. Small florals in muted pink, navy and olive are knitted directly into the wool-blend, scattered rather than gridded, so no two socks read quite the same. Playful underfoot, precise in the making.

Alaïa cuts the Vienne belt's perforation from a pattern inspired by precious lace and moucharabieh screens, worked deep and scalloped through black calfskin. A thin buckle closes it at centre front. Structural rather than decorative, it reads as armour softened into lacework.