Jackets

Lisa Yang's answer to tailoring, cut as a complement to the cashmere knitwear rather than against it. The woven wool and cashmere doublé holds a relaxed, hip-length line through notch lapels and dropped shoulders, closing single breasted over patch pockets. Black, and left plain enough to wear with everything else in the wardrobe.

Balmain cuts this jacket from smooth black lambskin with a pronounced waist and a short peplum flaring at the hip. It fastens asymmetrically with four covered press studs, and two leather tabs buckle in silver-tone metal at the stand collar. Gathered cuffs and topstitched back darts finish a piece that carries the house's tailoring into leather.

Balmain's signature jacket takes its lines from military uniform. Virgin wool gabardine is cut close, with structured rounded shoulders, epaulette tabs, gusseted chest pockets and five officer-style gold-tone buttons below a hook-fastened standing collar. A removable tone-on-tone belt marks the waist, where the hem curves away into a short peplum.

The Row keeps the Cinna jacket to a pared-back line in goat cashmere, soft and dense, with a faint melange through the dark brown. Notched lapels run down to a deep single-breasted front with a concealed closure, and flap pockets sit low on either side. It relies on the cloth and the cut, and nothing else.

Natan brings its couture tailoring down to a shorter, squarer shape for autumn. The cloth is coated to a fine crackled surface that catches the light, cut with a point collar, dropped shoulders and three covered buttons on a clean placket. Espresso keeps the shine low.

Dusan cuts this jacket from a double-faced wool panno, dense enough to hold a wide, squared line on its own. Notched lapels fall open over patch pockets, the shoulders dropped and the sleeves cut generously wide; there is no fastening, so it wears as a layer rather than a coat. Charcoal keeps the volume sober.

A sharply tailored blazer crafted from wool, designed with a sculpted, waist-defining silhouette. Featuring a double-breasted front, structured shoulders and flap pockets, the style is finished with buttoned cuffs and refined tailoring details that embody timeless elegance.

Magda Butrym cuts this biker jacket from dark brown leather in a cropped, cold-weather shape. An off-centre zip runs the front, framed by a plush shearling-style collar and a single zipped chest pocket, with two welt pockets at the hip and an elasticated hem that rounds out the waist. The result reads tough at the shoulder, soft at the collar.

Elie Saab's tailoring carries the couture hand into daywear. A nipped black crepe wool jacket is worked with vertical panels of floral embroidery, cornflower and gold sequins with beaded blooms at the shoulder, running from the lapel down over the flap pockets. Three buttons and a peak lapel hold the line severe.

Victoria Beckham's tailoring runs to a sharp shoulder and a long, lean lapel, and Katherine holds that line in a fluid wool blend. Single-breasted on two buttons, with patch pockets at the hip and a welt pocket at the chest, it falls straight from a defined waist. Marsh green gives the sharpness a woodland edge.

Our Miller Jacket is a bestseller season after season, and this version in transitional suiting and decorative crest buttons is sure to be a timeless classic. A slight stretch allows for a comfortable and flexible fit, while the slim tailoring delivers a polished look every time.

Fortela's outerwear leans soft rather than structured. The Liolie is a zip-front jacket cut in cashmere, with a teddy collar standing full around the neck. The fibre carries weight without stiffness, so the jacket settles onto the shoulder rather than holding away from it. A warm, pale taupe.

Alaïa tailors this single-breasted jacket in a light wool, with wide peak lapels and two horn buttons. Darts draw the waist in tight before the hem flares out over the hip, and the long sleeves stay narrow to the wrist. Made in Italy.

The Valiant Lace Cropped Blazer in Black from our Fall 2026 Collection, Trailblazer. A double-breasted wool blazer featuring a classic collar, padded shoulders, finished with centre front buttons and lace trim detailing.

Furling's reversible pieces are where the house puts its craft. The Ines jacket carries dense mouton shearling on one face and smooth leather on the other, with a deep hood and a two-way zip that works from either side. The caramel runs warm and even, from the hood facing down to the cuffs.

Furling's reversible pieces are where the house puts its craft. The Ines jacket carries dense mouton shearling on one face and smooth leather on the other, with a deep hood and a two-way zip that works from either side. Fleece out, the pile is dense enough to stand away from the body.

Gianna Giani founded Furling on Tuscan leather-working, and the Asha bomber shows the range of it. Dark ebony suede is cut to a short blouson with flap patch pockets and a zip front, and the collar is a spotted long-hair pelt in tobacco and black. The suede is brushed soft enough to read as cloth.

A bomber cut in mouliné virgin wool, hip length with an elasticated hem and a scarf that carries through the collar. It fastens on a zip backed with poppers, and the lining runs full with pockets set into the seams. Ash melange is a grey with warmth mixed through the yarn.

Kiton brings its Neapolitan tailoring to eveningwear with this single-breasted velvet blazer. Wide peak lapels faced in satin frame a two-button front with covered buttons, flap pockets and a shaped waist, all in a deep bordeaux pile that catches the light as it moves. Worn with the matching wide-leg pants, it makes a velvet suit for evening.