The Wren is knitted rather than cut, in a double-face cashmere with a compact hand that lets it hold a shape. It sits at mid waist on a soft elasticated band, then flares into a clean A-line with the panel seams doing the work. Dark oak makes a short skirt read as something more sober.
The Wren is knitted rather than cut, in a double-face cashmere with a compact hand that lets it hold a shape. It sits at mid waist on a soft elasticated band, then flares into a clean A-line with the panel seams doing the work. Deep plum is the one colour in the run with any heat in it.
The Wren is knitted rather than cut, in a double-face cashmere with a compact hand that lets it hold a shape. It sits at mid waist on a soft elasticated band, then flares into a clean A-line with the panel seams doing the work. Graphite is a grey with enough depth to sit next to black.
Balmain's tailoring instincts carry into knitwear here: a bouclé tweed knitted in cream, with a fine gold thread running through the weave. Two domed gold buttons sit above welt pockets at the hip, and the waistband and hem are left frayed rather than bound. The skirt ends high on the thigh and holds a straight line from the waist.
Blumarine gives a short taffeta skirt its romance at the hem. The high-waisted body is cut straight and darted close, leaving two pleated taffeta rosettes to spiral out over the hemline, the larger one breaking past it on the right.
In black, the fine pleating of each rosette reads in light and shadow rather than colour.
Blumarine gives a short taffeta skirt its romance at the hem. The high-waisted body is cut straight and darted close, leaving two pleated taffeta rosettes to spiral out over the hemline, the larger one breaking past it on the right.
In lipstick red, the crisp sheen of the cloth does most of the talking.
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