Clothing

A slim-fit trouser crafted from stretch lamb suede, offering a sleek silhouette that flatters the figure. Designed with a tapered leg, it delivers a modern and versatile look.

Alaïa's sculpting pointed dress is shaped entirely in the knit. A sheer high neck and yoke sit above a close ribbed bodice; at the waist the ribs open out into a voluminous pleated skirt whose hem drops to points at either side. Black keeps every eye on the shape.

Alaïa's A-line trench is cut from pony-hair calfskin, the short, glossy hair lying flat and catching light across every panel. A pointed collar, raglan sleeves and a concealed button placket keep the front clean, with welt pockets set into the seams, and the body swings out from the shoulders to midi length. The rouge runs deep and even across the hide.

A belted cape in pure cashmere double face. The double cloth keeps a soft, full and warm hand under a cloth-like finish. A shirt collar tops a single-breasted front with a covered English placket, built with a second crepe de chine layer for lightness. Vertical front and back seams open for the tubular nappa leather belt, closed with a ring and logo-engraved metal tips.

Agnona cuts its Milano pants from a fluid wool, a mono-stretch worsted in the spirit of grain de poudre with a little elastomer for drape. The surface is faintly textured and semi-matte. A flat front runs into a straight leg, with side pockets set into the seams. The burgundy is deep and muted, closer to wine than to red.

Asymmetric boat neck top in pure cashmere, cut oversized with fitted ribbed sleeves. Pure cashmere provides exceptional softness and natural warmth while regulating temperature against the skin. A gauge 8 plain knit gives the body enough weight to hold its volume, while the ribbed sleeves stay close to the arm. An asymmetric boat neck and an oversized body create a sculpted proportion, finished with the Agnona metal logo at the centre back.

High waisted midi skirt in pure cashmere featuring an A-line flare and a ribbed elasticated waistband. Pure cashmere provides exceptional softness and natural warmth while regulating temperature against the skin. A gauge 8 plain knit gives the skirt enough body to hold the flare while staying fluid in movement. A knitted band finishes the hem, while the ribbed waistband sits high and holds without constriction.

Blumarine cuts the top of these straight-leg jeans in stonewashed black denim, with five pockets, belt loops and a B monogram label at the back, then runs sheer plumetis tulle and Chantilly lace down the legs. Scalloped lace bands set with crystals mark the join above the knee. At the puddle hem, the lace pools over the shoe.

A hooded cape in B-Jersey double face. The cloth is a double weave in a cashmere and wool blend, a family reinterpreted by Agnona and developed in two weights, of which this is the heavier. A gold-tone zip runs the length of the front, and two deep flap pockets sit below a seam across the body.

In chocolate, the zip and the cloth share the same warmth.

NORA long-sleeved top in ivory.

Luna is the relaxed end of Victoria Beckham's knitwear: a cropped crew neck in a wool and baby-alpaca blend, dropped through the shoulder and ribbed at the neck, cuffs and hem. Mid grey marl leaves the yarn softly flecked, with a gold logo plate set at the hip. Cut short enough to sit above a high waist without bunching.

Magda Butrym's tailoring turns on a sharply drawn waist, and this blazer makes the case plainly. Cut from black cotton with a wide portrait collar folded back from the shoulders, it nips in at the middle and releases into a short peplum over flap pockets. Three buttons hold the front. Precise, and quietly theatrical.

This double-faced wool jacket features pankou knot closures at the cuff and neckline, a traditional fastening technique rooted in Chinese garment construction. It's finished with satin binding throughout the edges of the jacket.

This double-faced wool jacket features pankou knot closures at the cuff and neckline, a traditional fastening technique rooted in Chinese garment construction. It's finished with satin binding throughout the edges of the jacket.

Furling calls its sheepskins superleggeri, and the Flora shows what that buys in volume. The pile is long and softly blond, cut full length on a double-breasted front with flap pockets and a stand collar that turns up against the wind. Miele is the brand's word for it: honey, more gold than beige.

A heavy fisherman rib in cashmere, knitted on raglan lines so the shoulder falls soft and the body stays boxy and short. A two-way zip runs the full length into a funnel collar that stands on its own. Sand shows every rib, which is the point of a knit this deep.