WOMEN

An oversized bomber jacket crafted from supple suede. Designed with a high stand collar and snap button closure, it features dropped shoulders and voluminous sleeves that taper into elasticated cuffs. The hemline is cinched with elastic, creating a subtle bubble effect that enhances the jacket's relaxed yet structured silhouette. Oversized patch pockets add a functional detail to this statement piece.

Retrofête draws the eye to a fully sequinned halter top, cut with a deep cowl neckline and a thin tie closure at the back of the neck. The sequins catch light across a soft, draped body that falls to an asymmetric point at the hem. A polished piece for evening, in a warm truffle tone.

Retrofête covers this mini skirt entirely in fine sequins, cut to a clean A-line that sits just above the knee. The fabric carries a soft, semi-sheer hand beneath the shine, finished with a plain waistband for an easy fit. A glinting counterpart to the label's Bethely top, in the same warm truffle tone.

The Jeanne Dress blends delicate embellishment with smooth satin for a striking yet refined look. The adjustable halter tie-neck closure makes the mini dress an easy-to-wear style for cocktail parties and birthday celebrations. Shown here in Truffle.

Neapolitan jacket in black fresco wool tailoring. A lightweight and fluid take on tailoring, the single-breasted piece has a notched collar, front flap pockets and gently structured shoulders. Sharp pressed, with folded cuff detail. Washed silk habotai butterfly lining.

Shirt in white cotton with button fastening collar. The boyish, generous fit is emphasised by a box pleat at the back which adds gentle volume. PP embroidery on the left cuff placket.

Tux trousers in black wool with a boyish fit. A satin band runs along the inside leg. Straight in the leg, with a mid-rise and relaxed line, the trousers have slip pockets at the sides and rear button pockets. Unlined, the airy wool fresco tailoring has been pressed for an intentional folded impression.

Lace-up plimsole in soft pink canvas. Rounded toe and pull-on tab at the heel, with a leather footbed and contrasting vulcanised rubber sole. The robust canvas has been washed for a soft, lived-in feel.

Gig bag in khaki suede with tonal lining, tonal stitching, silver tone hardware, leather tie detail and zip closure. The bag has three softly structured compartments and an adjustable strap, which allows it to be worn crossbody or over the shoulder.

Drop earrings. Pearlescent resin pendants with an organic finish suspended from smooth sterling silver cubes. For pierced ears.

Small Gig bag in black leather with suede lining, tonal stitching, silver tone hardware, leather tie detail and zip closure. The bag has three softly structured compartments and an adjustable strap, which allows it to be worn crossbody or over the shoulder.

An investment piece that will only get better with time – such is the Suzanne leather jacket. Made in supple leather and cut in a minimalistic silhouette, it's wearable all year-round – depending on the layering and the styling. The high-collar design is completed with front flap pockets, zip and button closure and a fully lined inner.

A ribbed wool turtleneck with three-quarter sleeves and a close, second-skin fit. Rich chestnut brown, finished with a small logo tab at the hem — simple enough to layer under a blazer or wear on its own.

A ribbed wool knit skirt with a fluid, A-line fall from an elasticated waist. Same rich brown as the house's turtleneck, with a small logo tab at the hip. Pulls on with no separate closure.

Carta keeps to a clean, elastic-waist midi length, cut from a brushed cotton twill with a soft, brushed hand. Three buttons sit along one side seam, the only real detailing on an otherwise plain silhouette. Easy to pull on and left to fall straight from the waist, in winter white.

Giulia takes the house's jacket block and loosens it: a brushed cotton twill cut slightly oversized, with patch pockets at the hip and a clean button front. No collar theatrics, just a straightforward shape built to layer over a knit. In kombu, a dark, mossy green.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In black.

Petra is a technical turn on the house's jacket shapes: a crisp, water-repellent cotton-nylon weave cut with a hood, a button front, and side pockets set into the seam. Structured rather than soft, it reads more utility than tailoring. In cacao.

Pina is Labo.Art's workhorse corduroy jacket: a soft wide-wale cotton cut with a band collar and a five-button front. Two flap pockets sit low at the hip, roomy enough for a phone or gloves, and the body falls loose through the shoulder for layering over knitwear. In atlantic, a deep, teal-leaning navy.

Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in black.

Mirto is cut from a dense, felted virgin wool that holds its shape without any visible seaming, giving the jacket a soft, almost sculpted quality. The body swings gently from the shoulder to a rounded, boxy hem, with no obvious closure breaking the line. A textural, cocoon-shaped layer that reads more sculptural than tailored, in cacao.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in black.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in cacao.

Agapi takes the same cotton jersey and cuts it long-sleeved, in a straight, boxy shape that skims rather than clings. The crew neckline sits close and the hem is left raw, unfinished by design rather than accident. Simple enough to wear on its own or layered underneath a jacket, in kombu.