Pants

Pierre Louis Mascia cuts a pair of pants from a fluid viscose and silk blend, patterned in the house’s motifs. They fall with weight and movement through the leg. In brown.

Róhe keeps its staples plain and well cut: wide-leg trousers on an elasticated waistband, finished with a faux fly and two-button detailing at the front. The satin carries a low, liquid sheen and falls straight from the hip without holding a crease. Black makes the shine read as weight rather than gloss.

Pierre Louis Mascia cuts a pair of pants from a fluid viscose and silk blend, patterned in the house’s motifs. They fall with weight and movement through the leg. In brick.

Frame recuts its Slim Palazzo in soft stretch corduroy: a high rise, a close fit through the hip and a wide leg that opens gradually from the knee. Front patch pockets are the only detail, and the deep wine shade gives the cord its weight.

Cecilia is the fluid answer to the tailored trouser: high waisted and wide legged, cut from a crepe-back satin that drapes rather than holds. A zip fly, belt loops and side pockets keep the front clean, with an internal tailored waistband closing on a hook and bar. Midnight gives the sheen somewhere to go.

Pierre Louis Mascia cuts wide-leg pants from fluid printed silk, falling long and full from the waist. The patterned silk moves with an easy weight.

Designed with a comfortable elasticated waistband and crafted from premium lamb leather, with a subtle cropped kick-flare that creates a refined silhouette.

A slim-fit trouser crafted from stretch lamb suede, offering a sleek silhouette that flatters the figure. Designed with a tapered leg, it delivers a modern and versatile look.

A slim-fit trouser crafted from stretch lamb suede, offering a sleek silhouette that flatters the figure. Designed with a tapered leg, it delivers a modern and versatile look.

Agnona cuts its Milano pants from a fluid wool, a mono-stretch worsted in the spirit of grain de poudre with a little elastomer for drape. The surface is faintly textured and semi-matte. A flat front runs into a straight leg, with side pockets set into the seams. The burgundy is deep and muted, closer to wine than to red.

The Alina trouser is cut high on the waist and wide to the floor in a recycled fluid wool, so the leg falls in one long line. Patch pockets sit front and back, with traditional tailored fastenings at the waist. Marsh green is deep enough to work as a neutral.