Skirts

The Wren is knitted rather than cut, in a double-face cashmere with a compact hand that lets it hold a shape. It sits at mid waist on a soft elasticated band, then flares into a clean A-line with the panel seams doing the work. Dark oak makes a short skirt read as something more sober.

The Wren is knitted rather than cut, in a double-face cashmere with a compact hand that lets it hold a shape. It sits at mid waist on a soft elasticated band, then flares into a clean A-line with the panel seams doing the work. Deep plum is the one colour in the run with any heat in it.

The Wren is knitted rather than cut, in a double-face cashmere with a compact hand that lets it hold a shape. It sits at mid waist on a soft elasticated band, then flares into a clean A-line with the panel seams doing the work. Graphite is a grey with enough depth to sit next to black.

A bias cut gives this velvet skirt its fall: full length, softly gathered at the hem, hung from a neat elasticated waistband. The pile is fluid rather than dense, so the fabric moves in one piece instead of breaking into folds. Róhe at its plainest, and the better for it.