Clothing

A true wardrobe essential, the Ben has a classic fit. This summery cashmere V-neck sweater is finished with ribbed cuffs, hem and neckline. The Ben comes in the brand's lightweight summer cashmere; airy and laidback, it's designed for warmer weather.

A true wardrobe essential, the Ben has a classic fit. This summery cashmere V-neck sweater is finished with ribbed cuffs, hem and neckline. The Ben comes in the brand's lightweight summer cashmere; airy and laidback, it's designed for warmer weather.

A true wardrobe essential, the Ben has a classic fit. This summery cashmere V-neck sweater is finished with ribbed cuffs, hem and neckline. The Ben comes in the brand's lightweight summer cashmere; airy and laidback, it's designed for warmer weather.

The Alina is the house jean, cut high on the waist and wide through the leg for a 1970s line. Stretch denim keeps the shape close at the hip before it opens out, with patch pockets, a leather patch and the Victoria Beckham logo embroidered at the back. A washed black that has had the hardness taken out of it.

The Alina is the house jean, cut high on the waist and wide through the leg for a 1970s line. Stretch denim keeps the shape close at the hip before it opens out, with patch pockets, a leather patch and the Victoria Beckham logo embroidered at the back. The white wash reads soft rather than stark, closer to ecru than optic.

A slim-fit trouser crafted from stretch lamb suede, offering a sleek silhouette that flatters the figure. Designed with a tapered leg, it delivers a modern and versatile look.

Cool in summer and insulating in the winter, a sumptuous silk shirt will readily take on the lion's share of the work in your wardrobe. Ours is cut on the bias so it drapes like a dream.

Nili Lotan's Emelie is the plain long-sleeve top done properly: American cotton in a fine baby rib, cut slim to the body, with cover stitching at the hem and cuff. It holds its shape through the day and sits close without gripping. Black, and made to be worn constantly.

Nili Lotan's Emelie is the plain long-sleeve top done properly: American cotton in a fine baby rib, cut slim to the body, with cover stitching at the hem and cuff. It holds its shape through the day and sits close without gripping. White, and meant for constant wear.

Lanvin sets a white leather panel into the vamp of this black slingback, a graphic two-tone line in the spirit of the house's Art Deco heritage. The toe is long and pointed, the strap closes with a gold-toned buckle, and the insole carries Lanvin's signature blue. The heel is the surprise: short, glossy and sculpted into a flared spool.

Fortela draws on a vintage Italian workwear sensibility, and the Danika carries it in wool: a straight coat fastened with buttons at the front and finished with fringing along the edges. The cloth is substantial enough to hold its line from the shoulder down. A deep, slightly warm grey.

Fortela's outerwear leans soft rather than structured. The Liolie is a zip-front jacket cut in cashmere, with a teddy collar standing full around the neck. The fibre carries weight without stiffness, so the jacket settles onto the shoulder rather than holding away from it. A warm, pale taupe.

Fortela reworks American workwear archetypes through an Italian lens. This is its texana shirt — the western cut — in cotton denim washed until the colour softens and the cloth gives. Straight through the body, easy to wear open over a tee or tucked. A faded, even blue.

Designed with a comfortable elasticated waistband and crafted from premium lamb leather, with a subtle cropped kick-flare that creates a refined silhouette.

Designed with a comfortable elasticated waistband and crafted from premium lamb leather, with a subtle cropped kick-flare that creates a refined silhouette.

Alaïa cuts the Vienne belt's perforation from a pattern inspired by precious lace and moucharabieh screens, worked deep and scalloped through black calfskin. A thin buckle closes it at centre front. Structural rather than decorative, it reads as armour softened into lacework.

Alaïa calls this the sculpting pointed dress, and the knit does the sculpting. A sheer, fine-gauge yoke and high neck sit above a close ribbed bodice; below the waist the ribs widen into a full, pleated skirt that falls to deep points at the hem. In burgundy the rib reads almost like pleated silk.