Clothing

Christian Louboutin's Miss Z pump keeps its pointed toe and 100mm stiletto, and here trades solid leather for black floral lace laid over sheer mesh. Kid leather pipes the topline and wraps the heel counter, giving the open-worked upper a firm edge. The red sole shows beneath, bright against so much black.

The Andamane's Astra pairs a halter bodice that leaves the back open with wide-leg pants in black velvet. A ruched waistband joins the two, closed by a zip at the centre back. The velvet gives the long line a soft nap and a low sheen.

The Tyla dress is tailored from a black shade of lightweight jersey. Featuring an off-the-shoulder neckline that is stitched with ruching to hold the shape, the long sleeves of this women’s dress are trimmed with faux fur details. Its midi length hugs the contours of the body for a feminine appeal.

The Victoria maxi dress is made from a black hue of lightweight jersey. Informed by the design codes of a tuxedo suit, it features a shawl collar and a cummerbund waistband that introduces a draped, wrap-around effect at the front. The silhouette is finished with shoulder pads and long sleeves, and a slit cut-out above the left leg.

The Andamane's Carmen is a sleeveless mini dress with a high round neckline and a straight, close-skimming shape. The wool-blend cloth is plain at the front, with fine darts at the bust, and the back opens low. Sober from the front, with its surprise kept behind.

The New Holla leggings are made from black technical jersey. They are defined by their skin-tight shape that flares out at the ankles and is detailed with a zip. The women’s leggings are finished with a high-rise waist and zip fastening at the side.

The Sasha boyfriend pants are made from dark brown vegan leather. With their long, loose-fitting design, these women’s pants are tailored to sit low on the waist and can be fastened in place with the sliding clasp closure and belt loops. Detailing the pants are two jetted pockets at the back, side slit pockets, and a single pleat down the front of each leg.

The Andamane's Zensaya is a sleeveless bodysuit with a deep halter V, the bodice draped in a glossy faux leather. A sheer mesh panel sits below the waist and runs into a high-cut brief. Shine above, sheer below, and nothing else added.

The Florida patchwork bodysuit is made from a black shade of stretchy lace. It is designed with a plunging V-shaped halterneck that fastens at the back with long ties. The silhouette is complete with an open back and opaque lining across the chest and briefs.

The Andamane's Morgan is a slim-fit shirt in a sheer black cloth striped with vertical rows of fine sequins, on the collar, front and cuffs. Three covered buttons fasten the centre front. It catches the light only when the wearer moves.

Silvery bead embroidery is applied across the surface of this short-sleeve wool pullover in melange grey, each bead catching the light to create a softly luminous effect. A quiet, refined exercise in embellished knitwear.

Oscar de la Renta knits this mock-neck midi dress in wool with a little stretch, long in the sleeve and cut close. Silvery beads are stitched into scattered flowers and leaves, clustered over one shoulder and thinning toward the hem. A back zip closes it. The beadwork is the only shine on the dark knit.

A refined glen plaid in a warm taupe palette is woven into a fluid wool-cashmere blend for a sleeveless day dress of understated sophistication. Impeccable tailoring ensures an effortless, polished fit.

Alaïa tailors this single-breasted jacket in a light wool, with wide peak lapels and two horn buttons. Darts draw the waist in tight before the hem flares out over the hip, and the long sleeves stay narrow to the wrist. Made in Italy.

This dress is created from an interplay of several materials, including georgette and crepe. Eyelet embroidery runs around the lower body, and a grosgrain ribbon at the back adjusts the waist. A true signature of the Maison, grosgrain is also a tribute to the ribbons used by Jeanne Lanvin to finish the inside of her Haute Couture dresses.

Lanvin cuts this blouse from black silk, opaque through the body and sheer through the long sleeves, which gather into narrow buttoned cuffs. A single ruffle falls down the front from the collarless neckline, its edge traced with faceted metallic beads. The trim catches the light while the rest of the blouse stays quiet.

Crafted from a jacquard knit, this midi dress showcases a raised floral design. The slim silhouette is fitted throughout and detailed with tactile fringing on the skirt.

Meticulously crafted from metallic melanzana leather with touches of textured woven fabric, the Ce Soir Mule is truly captivating: zoom in to appreciate the sequin-embellished embroidery adorning the scalloped edges. The backless profile and moderate 75 mm heel lend a modern edge to after-dark elegance.

Defined by a magnetic presence, the Velvet Meadow Pumps balance sensuality and structure through peekaboo lace inserts embracing the toes and heels. As always, meticulous Italian craftsmanship and impeccable proportions ensure enduring quality and staying power.

Celine is a cropped aviator bomber with an oversized fit and a high neck, closed by a gold zip at the front. The check is grey with rust-red lines. The collar and cuffs are lined in suede, and the sleeve can be worn cuffed to show it. The hem is elasticated, with side pockets.

Troy is a cotton tee with a crew neckline, dropped shoulders and a straight hem, cut roomy. A second pair of sleeves is layered under the short ones, and these are covered in black paillettes, so the shine sits at the wrist against the matt jersey body.

Joy is a two-piece top: a faux astrakan front panel over a jersey back, with an integrated jersey turtleneck. The curled astrakan pile sits against the smooth jersey sleeves, and the layered construction gives the look of a waistcoat over a polo neck in a single slim-fitting garment.

Olimpia is cut from light jersey with a high neck and batwing sleeves. The fit is relaxed and the silhouette draped, so the cloth falls from the shoulder in soft folds rather than holding a shape. All the interest of this plain black blouse is in the sleeve.