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Gentryportofino builds its collections around Italian cashmere, and this crew-neck sweater is the plainest expression of it. Fine-gauge, cut close through the body with ribbing at the neck, cuff and hem, and long sleeves that sit just past the wrist. Dahlia — a deep, slightly blued red.

Dusan's pyjama cut is the easiest shape in the wardrobe: a full elastic waist, no fastening at all, and a leg that falls wide and straight to the floor. The corduroy is a broad wale in pure cotton, with enough pile to catch the light along the ribs. In black the wale reads as texture alone and the shape does the work.

Dusan's pyjama cut is the easiest shape in the wardrobe: a full elastic waist, no fastening at all, and a leg that falls wide and straight to the floor. The corduroy is a broad wale in pure cotton, with enough pile to catch the light along the ribs. Burnt sienna is the warmest tone in the winter line.

Cut like a five-pocket jean and made like a legging: high on the waist, slim to the knee and flaring a little past the ankle. The stretch lambskin holds the line without any of the stiffness leather usually brings to a trouser. Black is the plainest way to wear the shape.

SPRWMN builds its leather around movement, and the five-pocket micro flare is the house's denim shape rendered in stretch lamb leather. The waist sits high, the leg runs slim to the knee and opens just past the ankle. In shell, a pale chalky off-white, the hide shows every seam and pocket stitch.

Jil Sander builds tailoring out of plain volumes and one clear colour, and this cropped jacket keeps to both. Pure virgin wool carries a small rounded collar and a three-button front, with flap pockets set low on the body and the hem curving away at the centre. Candy pink is the only flourish it takes.

Frame recuts its Slim Palazzo in soft stretch corduroy: a high rise, a close fit through the hip and a wide leg that opens gradually from the knee. Front patch pockets are the only detail, and the deep wine shade gives the cord its weight.