New In

Frame recuts Le Slim Palazzo in a soft stretch corduroy for the new season. The rise sits high and the hip stays close before the leg opens into a restrained flare, with patch pockets set on the front. Navy keeps the wale quiet enough to wear as tailoring.

Avenue Montaigne builds its whole wardrobe around the pull-on waistband, and the Alex is the house's wide-leg version of it. The black denim is soft and stretchy, falling relaxed from hip to hem on a short 25-inch inseam. The elasticated waist stays flat enough to tuck a shirt over.

A jumpsuit cut with a shirt's collar and a zip that vanishes into the placket, drawn in at the waist on a self belt. The virgin wool is light enough to fall through a wide, cropped leg without stiffening at the hip. Black makes it read as tailoring rather than a single garment.

A jumpsuit cut with a shirt's collar and a zip that vanishes into the placket, drawn in at the waist on a self belt. The virgin wool is light enough to fall through a wide, cropped leg without stiffening at the hip. Terracotta is a red with earth mixed through it.

The Valmont takes the same fluted cuff as the Illico dress and puts it on a plain long-sleeve top, so the two can be worn together or apart. The wool is knitted fine and close, and the cuffs fall open into points well past the wrist. Black leaves nothing but the shape of the sleeve.

The Valmont takes the same fluted cuff as the Illico dress and puts it on a plain long-sleeve top, so the two can be worn together or apart. The wool is knitted fine and close, and the cuffs fall open into points well past the wrist. Lacca is a hard, clear red, closer to lacquer than to wine.

Stephan Janson works fine wool the way other houses work silk, and the Illico falls straight from the shoulder to let it do that. Long sleeves finish in fluted cuffs that drop to a point, the only interruption in an otherwise unbroken line. Safran carries the whole dress on its own.

The Romeo is Avenue Montaigne's straight-leg answer to the pull-on pant, cut full length with side pockets and belt loops. Its flannel is brushed and light, warm without any weight to it, and holds a clean line down the front. Brown is the quieter of the two darks in the winter run.

The Romeo is Avenue Montaigne's straight-leg answer to the pull-on pant, cut full length with side pockets and belt loops. Its flannel is brushed and light, warm without any weight to it, and holds a clean line down the front. Charcoal reads nearly black in low light and keeps the leg sharp.

This double-faced wool jacket features pankou knot closures at the cuff and neckline, a traditional fastening technique rooted in Chinese garment construction. It's finished with satin binding throughout the edges of the jacket.

This double-faced wool jacket features pankou knot closures at the cuff and neckline, a traditional fastening technique rooted in Chinese garment construction. It's finished with satin binding throughout the edges of the jacket.

A sweater cut on a draped, asymmetric line that Lanvin traces back to dresses in the house archive. The wool and cashmere blend is light and warm at once, falling in folds rather than holding a knitted shape, and a brooch fastens the drape at the shoulder. Black keeps the asymmetry legible.