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Long-sleeved t-shirt in soft cotton jersey with relaxed neckline.

Cut like a five-pocket jean and made like a legging: high on the waist, slim to the knee and flaring a little past the ankle. The stretch lambskin holds the line without any of the stiffness leather usually brings to a trouser. Black is the plainest way to wear the shape.

The Kenny is knitted horizontally rather than up the body, a choice that leaves the surface clean and lets the fit give where a vertical knit would pull. Dropped shoulders, cropped sleeves and ribbed trims keep it to the hip. Basilico is a sharp green, and the only loud thing about the piece.

The Kenny is knitted horizontally rather than up the body, a choice that leaves the surface clean and lets the fit give where a vertical knit would pull. Dropped shoulders, cropped sleeves and ribbed trims keep it to the hip. In cream the horizontal knit reads as a faint grain across the front.

Heavy knit cashmere, plush enough to feel rich in the hand, cut relaxed with dropped shoulders and three-quarter sleeves. The hem steps up at the front and falls longer at the back, which is what gives the shape its line. Black makes the step hem the only thing to notice.

Heavy knit cashmere, plush enough to feel rich in the hand, cut relaxed with dropped shoulders and three-quarter sleeves. The hem steps up at the front and falls longer at the back, which is what gives the shape its line. Cream shows the plush of the yarn better than any other shade in the line.

Heavy knit cashmere, plush enough to feel rich in the hand, cut relaxed with dropped shoulders and three-quarter sleeves. The hem steps up at the front and falls longer at the back, which is what gives the shape its line. Truffle is the warmest reading of a knit already built for it.

An everyday cardigan in Lisa Yang's standard knit cashmere, cut regular through the body to the hip. The buttons are made by hand and covered in the same cashmere, so they read as punctuation rather than hardware. Cream keeps it to the plainest possible layer.

Sculpted volume from a horizontal knit: the Mella is generous through the body, then drawn in at an hourglass waist so the cashmere breaks into deliberate drapes front and back. The fashion marks left by the knitting are kept as decoration rather than hidden. Black reduces it all to shadow.

Sculpted volume from a horizontal knit: the Mella is generous through the body, then drawn in at an hourglass waist so the cashmere breaks into deliberate drapes front and back. The fashion marks left by the knitting are kept as decoration rather than hidden. Dark oak gives the drapes somewhere to fall away to.

Knitted for structure rather than softness, the Aleya is dense enough in Lisa Yang's double-face cashmere to wear as a jacket. A neat collar sits above a two-way zip, with welt pockets and ribbed trims holding the hip-length shape. Dark fern is a green pulled almost to brown.