New In

Frame recuts Le Slim Palazzo in a soft stretch corduroy for the new season. The rise sits high and the hip stays close before the leg opens into a restrained flare, with patch pockets set on the front. Navy keeps the wale quiet enough to wear as tailoring.

Avenue Montaigne builds its whole wardrobe around the pull-on waistband, and the Alex is the house's wide-leg version of it. The black denim is soft and stretchy, falling relaxed from hip to hem on a short 25-inch inseam. The elasticated waist stays flat enough to tuck a shirt over.

A sweater cut on a draped, asymmetric line that Lanvin traces back to dresses in the house archive. The wool and cashmere blend is light and warm at once, falling in folds rather than holding a knitted shape, and a brooch fastens the drape at the shoulder. Black keeps the asymmetry legible.

Impeccable tailoring and discreet detailing imbues the Bela Midi Dress with understated elegance. Defined by a gathered detail at the waist and longer-length hemline at the back, it is finished with an attractive contrasting topstitch at the sleeve hem and side seam, and presented in a shade of golden ember.

Kiton renders this silk top in a fine micro-check, brown ink set against warm ochre. Cut sleeveless with a round neckline, the silhouette falls loose and straight from the shoulder, letting the lustrous silk skim rather than cling. A clean layer for daytime, on its own or under a jacket.

Gentryportofino builds its collections around Italian cashmere, and this crew-neck sweater is the plainest expression of it. Fine-gauge, cut close through the body with ribbing at the neck, cuff and hem, and long sleeves that sit just past the wrist. Dahlia — a deep, slightly blued red.

Gentryportofino works almost entirely in fine Italian knitwear, and this jacket is cut from cashmere rather than cloth. The A-line falls away gently from the shoulder, with three-quarter sleeves and a zip running the full front. Soft enough to fold over an arm. Stucco, a pale warm neutral.

Gentryportofino works almost entirely in fine Italian knitwear, and this jacket is cut from cashmere rather than cloth. The A-line falls away gently from the shoulder, with three-quarter sleeves and a zip running the full front. Soft enough to fold over an arm. Black, and simple to layer.

Fortela's outerwear leans soft rather than structured. The Liolie is a zip-front jacket cut in cashmere, with a teddy collar standing full around the neck. The fibre carries weight without stiffness, so the jacket settles onto the shoulder rather than holding away from it. A warm, pale taupe.

Fortela reworks American workwear archetypes through an Italian lens. This is its texana shirt — the western cut — in cotton denim washed until the colour softens and the cloth gives. Straight through the body, easy to wear open over a tee or tucked. A faded, even blue.

Fortela draws on a vintage Italian workwear sensibility, and the Danika carries it in wool: a straight coat fastened with buttons at the front and finished with fringing along the edges. The cloth is substantial enough to hold its line from the shoulder down. A deep, slightly warm grey.